MA Art & Science
Central Saint Martins, University of the Arts London
Duration: 2 Years
http://www.artsciencecsm.com/
So when people ask me what I most recently studied, and I answer with "art and science", they either look understandably baffled, or vaguely impressed. The question I always get asked the most is: what's this course about? What exactly is "art and science"?
I enrolled on the art and science course in the 3rd year of it's fruition. The course had been developed within the MA fine art department by course leader Nathan Cohen. As a relatively new course, I think it's safe to say that the answer to the question was simply us. The students. The course at this point, didn't really have an identity as such. That identity was still very much open for interpretation and because of that, the course was great in some ways but lacking in others.
Tuesday, 26 April 2016
PRACTICE: Drawing from Nature
I've always been inspired by nature and it's beautiful forms. I collect all matter of seeds, dried flowers, pebbles, mineral rocks and other natural ephemera for inspiration. I have recently developed a huge love of succulents and cacti. A friend of mine also collected them, and often described them as "sculptural" because of their countless interesting shapes and textures. Now that I have started a collection of my own, I really understand what she meant. I am enamoured by how many varieties there are, and how they can influence my drawings.
Since being at art school, I became out of touch with drawing and painting regularly. I drew analytical diagrams and plans for my installation work as a logistical way of thinking and problem solving. Therefore I didn't realise how much I missed it. What I've noticed at art school is that simple skills such as drawing are not really taught anymore or encouraged. Which I understand because there are so many other contemporary methods of creating now. But I feel every creative individual can feel a sense of satisfaction in going back to the simple act of drawing. I really missed the tactility of putting pencil/pen to paper , and the immediacy of seeing something evolve. If there's anything I would like to do more of, it's draw.
Since being at art school, I became out of touch with drawing and painting regularly. I drew analytical diagrams and plans for my installation work as a logistical way of thinking and problem solving. Therefore I didn't realise how much I missed it. What I've noticed at art school is that simple skills such as drawing are not really taught anymore or encouraged. Which I understand because there are so many other contemporary methods of creating now. But I feel every creative individual can feel a sense of satisfaction in going back to the simple act of drawing. I really missed the tactility of putting pencil/pen to paper , and the immediacy of seeing something evolve. If there's anything I would like to do more of, it's draw.
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