The Graphic Art of Harry Potter
3 June 2016 - 4 February 2017
House of MinaLima, 26 Greek Street, Soho, London, W1D 5DE
Last week I had some time to have a look at the pop-up exhibition in Soho, that features a wide range of props and original illustrations for the Harry Potter film series. Graphic designers Miraphora Mina and Eduardo Lima (whose names sound uncannily like they belong in said films) are the brains behind the wonderfully detailed and extensive works of art that are the printed medium in these films. From posters, newspapers, books, packaging and plenty more, this is a feast of the eyes for any Harry Potter fan. In fact, even if you aren't a Harry Potter fan, it would be difficult not to be impressed and delighted by the sheer amount of imagination and creativity that have gone into these props. Even more so when you remember that most of these props will have only been featured on screen for a few seconds, maybe less or not at all. It's an immersive sense of dedication that the two clearly project in these elaborate examples.
The exhibition isn't huge but there's something very charming about how modest the size of the venue is, crammed full to the brim with Harry Potter nostalgia and feels even more like an adventure into some place hidden and special. In a way the whole ambience of the pop-up is made to feel like a shop you may encounter on Diagon Alley in the wizarding world.
Monday, 18 July 2016
Sunday, 3 July 2016
REVIEW: Tate Modern Extension (Switch House), London
I finally had some time this week to go and explore the new extension to the Tate Modern which opened a couple of weeks ago. The extension (dubbed 'Switch House') provides another ten floors worth of gallery space to the landmark contemporary gallery.
I have to say on approach, the new extension looks spectacular. It blends in surprisingly well with the existing venue but looks iconic and unique in its own right. It certainly will provide architecture and photography lovers with resourceful new inspiration.
I entered through the new extension and found myself pretty lost to begin with. I was a little disorientated as to where the new building started and where the old site met. But after a little consolidation and aimless wandering (mainly back and forth through the shiny new gift shop) I decided to explore my way up the Switch House one floor at a time.
If you're seeking actual artwork, there are three floors worth of new and old material. I have to admit, gallery-wise, the extension feels much smaller on the inside than it first appears on the outside once you've orientated yourself. As a frequent Tate visitor, I noticed that a notable portion of the artwork in the new galleries was work I'd seen from other branches of the Tate or from previous exhibitions. Despite this, the Switch House galleries are light, open and very inviting and host a different feel to the existing Tate galleries.
After exploring the art galleries, I was recommended to visit the top floor viewing level. This is probably one of the main attractions to the venue other than seeing the art, as a huge proportion of visitors were waiting to take lifts up to the tenth floor. Unfortunately the lifts are all rather small and don't seem to adequately accommodate the demand of visitors going up to the viewing level, leaving many like me braving ourselves to scale the ten flights of stairs instead (although granted, I had already conquered four out of the ten floors at this point). What I found curious on my way up was that the other six floors of the building were still very much empty. So keep this in mind if you're planning to visit. My guess is that the building is still very much a work in progress and they wanted to open as soon as possible. As I mentioned earlier, there were three floors of artwork and the ground floor hosts the gift shop and cafe.
So once I'd huffed and puffed my way up the tenth floor, the view up top is definitely worth the hike. The views across London are fantastic, and you're able to look straight across the Thames. It's also pleasantly not as crowded as you'd expect it to be judging by the amount of people taking lifts up.
All in all I am very excited at the prospect of this new extension and I think it will offer a huge potential of new opportunities. In it's current state, the building is certainly not yet finished or full to capacity but it's definitely worth a visit.
I have to say on approach, the new extension looks spectacular. It blends in surprisingly well with the existing venue but looks iconic and unique in its own right. It certainly will provide architecture and photography lovers with resourceful new inspiration.
I entered through the new extension and found myself pretty lost to begin with. I was a little disorientated as to where the new building started and where the old site met. But after a little consolidation and aimless wandering (mainly back and forth through the shiny new gift shop) I decided to explore my way up the Switch House one floor at a time.
If you're seeking actual artwork, there are three floors worth of new and old material. I have to admit, gallery-wise, the extension feels much smaller on the inside than it first appears on the outside once you've orientated yourself. As a frequent Tate visitor, I noticed that a notable portion of the artwork in the new galleries was work I'd seen from other branches of the Tate or from previous exhibitions. Despite this, the Switch House galleries are light, open and very inviting and host a different feel to the existing Tate galleries.
After exploring the art galleries, I was recommended to visit the top floor viewing level. This is probably one of the main attractions to the venue other than seeing the art, as a huge proportion of visitors were waiting to take lifts up to the tenth floor. Unfortunately the lifts are all rather small and don't seem to adequately accommodate the demand of visitors going up to the viewing level, leaving many like me braving ourselves to scale the ten flights of stairs instead (although granted, I had already conquered four out of the ten floors at this point). What I found curious on my way up was that the other six floors of the building were still very much empty. So keep this in mind if you're planning to visit. My guess is that the building is still very much a work in progress and they wanted to open as soon as possible. As I mentioned earlier, there were three floors of artwork and the ground floor hosts the gift shop and cafe.
So once I'd huffed and puffed my way up the tenth floor, the view up top is definitely worth the hike. The views across London are fantastic, and you're able to look straight across the Thames. It's also pleasantly not as crowded as you'd expect it to be judging by the amount of people taking lifts up.
All in all I am very excited at the prospect of this new extension and I think it will offer a huge potential of new opportunities. In it's current state, the building is certainly not yet finished or full to capacity but it's definitely worth a visit.
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